Difficulty Ranking from 1 (hardest) to 10 (easiest)
Encounter ranks 9th in difficulty among the tracks of Portraits of Florence.
8th in Concept Development & 8th in Composition
There are few artworks in the world that carry the weight of Michelangelo’s David. It’s not just a statue; it’s a symbol of human creativity, resilience, and triumph. For many, encountering the David for the first time is a moment of awe and reverence. With Encounter, I set out to capture the inner journey of someone who deeply understands the significance of this masterpiece and is about to meet him for the first time.
Concept Development (8th out of 10)
The idea behind Encounter was clear from the start: to express an internal state of anticipation, wonder, and reverence. This is not a grand symphonic tribute but an intimate exploration of what it feels like to approach this monumental work of art.
A sculpture as iconic as the David might seem to demand a composition of equal grandeur, but I wanted to focus on the personal, almost quiet energy of the experience. This felt like a risk. Would listeners expect something more epic and grandiose? Could I convey the magnitude of the moment in an intimate way? Only time will tell.
Composing the Piece (8th out of 10)
Musically, Encounter is built around a rolling ostinato that persists throughout the piece. This theme reflects the hum of anticipation and energy within me as I imagined turning the corner in the Galleria dell’Accademia and seeing David bathed in light at the end of the hall. The melodic lines mirror the progression of the journey: the first glimpse of the statue, the approach, and the quiet, deliberate exploration as one walks around the sculpture, taking in its every detail.
The rolling theme came together almost effortlessly, as if it was already waiting to be expressed. Once that core element was in place, the rest of the composition flowed naturally, each section unfolding to reflect the contemplative encounter.
Reflections on Encounter
For me, Encounter is one of the most personal pieces on Portraits of Florence. It’s a direct expression of my own experience, and it invites listeners to feel the same anticipation and reverence I felt.
I expect this piece might surprise some listeners who expect something grander or more overtly dramatic. However, meeting David for the first time is not just about the statue itself; it’s about the journey to that moment, the buildup of emotions, and the quiet realization of standing in the presence of greatness. I’m thrilled with how Encounter captures that experience with authenticity and intimacy.
For anyone who has yet to meet David, I hope this piece gives you a sense of what it feels like. And for those who have, perhaps it will bring back the memory of your own encounter with this masterpiece.